Designed by Charles and Ray Eames, the seat shell of the Wire Chair echoes the form of the Eames Plastic Side Chair.

Back and seat
Bent and welded steel wire
Back and seat finish
Basic dark powder-coated
Base
Wood base with round steel cross struts
Base colour
02 golden maple
Base finish
Solid maple stained
Glides
04 basic dark for carpet
Overall depth
51cm
Overall height
84cm
Overall width
49cm
Seat and back pads cover
Fabric F60
Seat height
40cm
Upholstery
With Seat and Back Pads
Upholstery colour
Hopsak 71 yellow/pastel green

Mounted on the legendary Eiffel Tower base, the DKR combines transparency and functionality. The version with a powder-coated finish is also suited for use in the garden or on the terrace. The DKR chair is optionally available with a seat cushion or with a two-piece seat and back cushion covered in fabric or leather.


Charles & Ray Eames

From 1941 to 1943, Charles and Ray Eames designed and developed stretchers and leg splints made of moulded plywood, and in 1946 they exhibited their experimental moulded plywood furniture at the New York Museum of Modern Art. The Herman Miller Company in Zeeland, Michigan, subsequently began to produce the Eameses' furniture designs. Charles and Ray participated in the 1948 'Low-Cost Furniture' competition at MoMA, and they built the Eames House in 1949 as their own private residence. Around 1955 they began to focus more on their extensive work as photographers and filmmakers, and in 1964 Charles received an honorary doctoral degree from the Pratt Institute in New York.

The Eames Office designed the IBM Pavilion for the 1964-65 World's Fair in New York, and the year 1969 offered the opportunity to participate in the exhibition 'Qu'est-ce que le design?' at the Musée des Arts Décoratifs in Paris. In 1970-71, Charles was appointed as the Charles Eliot Norton Professor of Poetry at Harvard University. MoMA again presented an exhibition of the Eameses' work, entitled 'Furniture by Charles Eames', in 1973. Charles Eames died in St. Louis in 1978; Ray's death followed in 1988.

Charles and Ray Eames have had a profound and lasting influence on Vitra. The company's activity as a furniture manufacturer began in 1957 with the production of their designs. Yet it is not just the products of Charles and Ray Eames that have left their mark on Vitra. Even today, their design philosophy continues to profoundly shape the company's values, orientation and goals.


Swiss manufacturer Vitra’s collections of furniture and lighting bring together the colour, culture and sophistication of the world’s most prominent designers.