This is a lightweight, two-sided circle of shades, divided into six 60º segments (in the home version), and twelve 30º segments (in the larger version).

Canopy Diameter
7cm
Junction Box adaptor diameter
11.7cm
Junction Box adaptor included
Yes
Lampshade Colour
White translucent PVC
Light bulb cap type
E27
Light bulb type
LED
Max Bulb Height
11.5cm
Max wattage
10w
No.of Bulbs
6
Shade diameter
80cm
Shade Height
20cm
Shade Holder Height
34cm
Structure Material
Chrome-plated
Telescopic tube Height
40 / 75 cm
Weight
6kg

The final arrangement is beautiful and sombre, generating generous well-nuanced light and reviving the old tradition of mediaeval iron luminaries with various bulbs as its resilient, distinguished predecessor is the Estadio lamp from the same designer.


Miguel Milá

A member of the generation of industrial design pioneers in Spain who has seen some of his furniture and lamps become real contemporary classics.

Miguel Milá was born in a Catalan aristocratic family with strong links with the artistic world (his ancestors assigned the Milá House, also known as La Pedrera, to Gaudí), and started working as an interior designer in the architecture studio of his brother Alfonso Milá and Federico Correa. It was the end of the 50s, a time of crisis when Spain hardly knew what industrial design was. There was practically no industry, everything was generally handmade. This framework marked the way Miguel Milá understood design, being sensitive to the pleasure of touching and closer to traditional techniques.

Despite the shortage of objects, means and raw materials of the time, Miguel Milá started designing lamps and furniture, that he soon manufactured in his own company, Tramo. Miguel Milá set up this company with two friends, architects F. Ribas Barangé and E. Pérez Ullibari. This is how Miguel Milá got involved with industrial design.

Out of Tramo, apocopation of Trabajos molestos (annoying works, that is, all the things little brothers have to do), many projects came out. For instance, he developed the previous versions of the famous TMC and TMM lamps (1958 and 1961), timeless classic designs that are still selling nowadays. Some time after, he set up his own industrial and interior design studio.

Miguel Milá participated with the designers and architects of that period in the first meetings in Barcelona to discuss on modernity in architecture, out of which came the question of how to promote design and implant its professional practice. These meetings culminated in the foundation of the ADI-FAD, together with Antoni de Moragas, André Ricard, Bohigas, Cirici Pellicer, Manel Cases and Rafael Marquina. From its beginnings, this association sought to foster Spanish design abroad, and to make a connection between young Spanish professionals and international design.

"I am in reality a pre-industrial designer- has Milá stated-. I feel more comfortable with the technical procedures that allow correcting failures, experimenting during the process, and controlling it to the maximum. That is where my preference for noble materials comes from, the preference for materials that know how to age." This is the case, among others, of the wooden Cesta lamps (1964), the reed Manila lamp (1961); the M68 lamp, made out of aluminium (1968); or the lamp series Americana with natural linen shades.

After a period of silence that coincided with the crazy postmodern 80s, during which he focused on designing interior spaces and exhibitions, he took up his industrial designing projects again, with a more modern and rationalist language, and applied it to urban design. The Neoromántico bench (1995) is a clear example of this, being a bench that in a few year has become usual in urban sceneries. To this first bench have followed the Neoromántico pata liviana (2000) and the Neoromántico aluminio pata liviana (2002).

Miguel Milá has come to be a classic figure in design. In fact, he almost represents the history of Catalan modern design. His work has focused on bringing tradition up to date: many of his products have overcome the circumstances under which they were made, and are still selling nowadays, "thanks to having been born at a time when rigor and honesty were high values", states Milá. In 1987, he was awarded with the Premio Nacional de Diseño and in 2008 reward the Compasso d'Oro in recognition of his career history and his contribution to the promotion of Spanish design.


Santa & Cole is an editing company from Barcelona that lives for industrial design.