This is a lightweight, two-sided circle of shades, divided into six 60º segments (in the home version), and twelve 30º segments (in the larger version).
The final arrangement is beautiful and sombre, generating generous well-nuanced light and reviving the old tradition of mediaeval iron luminaries with various bulbs as its resilient, distinguished predecessor is the Estadio lamp from the same designer.
A member of the generation of industrial design pioneers in Spain who has seen some of his furniture and lamps become real contemporary classics.
Miguel Milá was born in a Catalan aristocratic family with strong links with the artistic world (his ancestors assigned the Milá House, also known as La Pedrera, to Gaudí), and started working as an interior designer in the architecture studio of his brother Alfonso Milá and Federico Correa. It was the end of the 50s, a time of crisis when Spain hardly knew what industrial design was. There was practically no industry, everything was generally handmade. This framework marked the way Miguel Milá understood design, being sensitive to the pleasure of touching and closer to traditional techniques.