The Satellite Collection of two pendant lamps with geometrical shapes and an organic shade is designed by Mathieu Mategot in 1953 to create outstanding sculptural aesthetics.
The name, Satellite, was given by Mategot as a wink and tribute to the scientific progress in France in the years after the Second World War.
The Satellite Collection holds the distinctive trait of Rigitulle, a technique and material invented by the designer him- self that makes it possible to bend and fold the fabric-like metal sheet to an original, oblong shaped pendant lamp. The lampshade has seven colour options and is unique with its bulb all covered by perforated metal to exude an atmospheric light - creating a festive appearance. The interplay of light and shadow casted on walls and floors generate a dramatic feature in any dining room, hallway or restaurant. Hang the Satellite Pendant Lamp alone as a characteristic piece or in multiples to create a cloud of luminosity.
Mathieu Matégot (1910 - 2001) was a Hungarian designer and architect. After studying at Budapest's school of art and architecture, he settled in France in 1931. He was a volunteer in the French army, was captured and not released until 1944. After returning home, he started producing handmade furniture in Paris. Matégot's organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he applied resulted in unique aesthetics and furniture designs. He was the first person to combine metal tubing with perforated sheet metal; ritigulle, a technique he patented and also a pairing that particularly characterizes his work.
Like many of his peers Mategot travelled the world in search of inspiration, techniques and upon return transformed these impressions into his own unique designs and interpretations. Wether it was industrial processes or aesthetics, he always collected and interpreted - he even patented and set up his own production to apply these new technologies into his designs, He was a true innovator of his time!
In the 1950's - also the one decade - that he devoted to the design of furniture and interior accessories, he created a wide range of distinctive designs that today is considered iconic and contemporary. To ensure quality in the production of his own designs - Matégot set up two of his own workshops - Société Mategot, one in Paris that employed up to twenty workers and a second in Casablanca, Morocco. Both manufactured in limited numbers for up to 200 items and continued until 1959 when Mategot abruptly ended his production and began his work on tapestry, which he would continue for the rest of his career.