Dimensions

Backrest width 41 cm
Overall depth 60 cm
Overall height 75.5 - 89 cm
Overall width 62.5 cm
Seat height 35.5 - 48 cm

Materials

Cover material Hopsak
Fabric/colour Fabric F60
Seat shell colour 04 white
Upholstery colour Hopsak 05 dark grey

Specification

Castor based wheel yes
Castors 02 castors hard - braked for carpet
Piping 01 basic dark

Resources

Thanks to the large selection of bases, the Plastic Chairs by Charles and Ray Eames can be used in a wide range of different settings.

For example, the PACC (Pivot Armchair Cast Base on Castors), with its height-adjustable swivel-mount base, is ideal for use in informal office spaces and studio offices. The various colour and upholstery options make it easy to find the right chairs for all types of environments.

Base

Five-star base in polished die-cast aluminium with double castors in basic dark.

Optional
The Eames Plastic Chair is available as a visitor, dining, swivel or rocking chair or in stacking versions with ganging brackets for row seating. Beam-mounted shells are suited for use in waiting areas.

Seat shell
Dyed-through polypropylene. All models (except RAR) are available with a seat cushion (screwed to the seat shell) or full upholstery. The fully upholstered version has moulded polyurethane foam adding covered in Hopsak fabric, attached to the shell with a welted edge. Covers are available in all Hopsak fabric colours. Different shell and upholstery colours and various bases provide a multitude of possible combinations.


Charles & Ray Eames

From 1941 to 1943, Charles and Ray Eames designed and developed stretchers and leg splints made of moulded plywood, and in 1946 they exhibited their experimental moulded plywood furniture at the New York Museum of Modern Art. The Herman Miller Company in Zeeland, Michigan, subsequently began to produce the Eameses' furniture designs. Charles and Ray participated in the 1948 'Low-Cost Furniture' competition at MoMA, and they built the Eames House in 1949 as their own private residence. Around 1955 they began to focus more on their extensive work as photographers and filmmakers, and in 1964 Charles received an honorary doctoral degree from the Pratt Institute in New York.

The Eames Office designed the IBM Pavilion for the 1964-65 World's Fair in New York, and the year 1969 offered the opportunity to participate in the exhibition 'Qu'est-ce que le design?' at the Musée des Arts Décoratifs in Paris. In 1970-71, Charles was appointed as the Charles Eliot Norton Professor of Poetry at Harvard University. MoMA again presented an exhibition of the Eameses' work, entitled 'Furniture by Charles Eames', in 1973. Charles Eames died in St. Louis in 1978; Ray's death followed in 1988.

Charles and Ray Eames have had a profound and lasting influence on Vitra. The company's activity as a furniture manufacturer began in 1957 with the production of their designs. Yet it is not just the products of Charles and Ray Eames that have left their mark on Vitra. Even today, their design philosophy continues to profoundly shape the company's values, orientation and goals.


Swiss manufacturer Vitra’s collections of furniture and lighting bring together the colour, culture and sophistication of the world’s most prominent designers.