A lighting track system that features individual sections, mounted on the ceiling in custom configurations, and pendant lights.

"I’ve always been intrigued by how similar gestures exist through different applications. One starts to wonder whether the inventor of one idea was conscious of the act of borrowing from another. Even more surprising is to realise that these applications exist simultaneously but somehow remain disconnected. Take for example modern office ceilings and how light track systems are composed to provide practical solutions for illumination. Or in other environments, in which ornamental plaster mouldings have historically applied individual decorations to define the function of a room. How sections of plaster were joined together as a continuous drawing, in defining its layout.

I am part of a generation where growing up as a kid electric slot cars were hugely popular. But beyond the idea of racing, I was more fascinated with how simple combinations of curved and linear track sections would create fantasy circuits. Through similar imagination, one can simply map this experience to the opposite surface of the ceiling."

Michael Anastassiades

Michael Anastassiades founded his London design studio in 1994.

Schooled in industrial design and engineering at London's Royal College of Art and Imperial College – the Cypriot-born designer's lighting, mirrors, and tabletop objects reside between industrial design, sculpture and decorative art. Deceptively simple, yet meticulously detailed, they betray his training as a civil engineer and industrial designer.

Anastassiades is particularly renowned for his lighting products, which comprise 80% of his studio's commissions. Shiny surfaces combined with simple geometric shapes like tubes, oblongs and spheres, articulate architectural spaces. He often chooses reflective materials – such as mirrored glass and polished bronze – that appear to dematerialise his objects, to float independently, interacting with the space surrounding them.

Since collaborating with the architectural firm Studio Mumbai (2006), Anastassiades is increasingly working with some of the world's leading architects – including David Chipperfield and John Pawson – and interior designers such as Studio Ilse. His lights can be seen in hotels, restaurants and stores worldwide – including the Grand Hotel Stockholm, Soho House New York and the Sergio Rossi boutiques worldwide.

Besides being commissioned and collected by private patrons and clients all over the world – Anastassiades has worked with many world renowned cutting-edge designers and prestigious manufacturers, including Hussein Chalayan (1997-8) Swarovski Crystal Palace (2004), Lobmeyer (2012) and Svenskt Tenn (2013). This year, he will be launching two 'families' of lights for Flos.

Featured in the permanent collections of the Museum of Modern Art, New York, the FRAC Centre in Orleans, France, and the V&A Museum and Crafts Council in London, his designs have also been showcased at world-renowned galleries and arts organisations including London's Institute of Contemporary Arts, the Design Museum, Somerset House and Sotheby's; and Mitterand + Cramer in Geneva. Represented by the Nilufar Gallery in Milan – this follows the gallery's commission to create the ‘Lit Lines’ series of lights (exhibited at Palazzo Durini in 2011) and the ‘Tree in the Moonlight’ lamp which formed part of their Unlimited Collection (2012) .

Italian lighting manufacturer Flos has been a driving force in innovative techniques and surprising shapes for over fifty years.