Mogensen’s evolution of ‘The People’s Chair’ – designed in 1956 and dimensioned as a generously proportioned and sophisticated upholstered dining chair.
In 1955, young interior architect Andreas Graversen acquired Fredericia Stolefabrik, and asked Børge Mogensen to design an entirely new collection of furniture for the company. One of the first results from this new venture was the 3236 chair, presented in 1955 and the 3171 bench, presented in 1956. In 1964 Mogensen developed The Shaker Table 6286 which is considered to be Mogensen’s most exclusive table.
These designs were the result of Mogensen’s so called ”workshop method” of product development, in which he continuously refined his methodologies in order to achieve an even more accomplished visual expression.
With an upholstered seat and a solid, yet simplified, construction, the 3236 chair is Mogensen’s continuation of the celebrated J39 chair from 1947. The robust dimensions in the spokes and legs compliment the upholstered seat, and reveals Mogensen’s ambition to reach as much visual harmony in the proportions of his furniture as possible.
In 1958, Mogensen designed the 6284 table to complete the series. All the furniture in the series is cleansed of unnecessary ornamental details. The solid form exhibits the texture and quality of the materials.
The Shaker Table 6286 was inspired by the functional style of American shaker culture. The simple form lends attention to the quality of the material, and the texture and character of the solid oak is what Mogensen sought to highlight in his Shaker Table.
We make the series with the finest selection of oak that has a very fine structure. This results in a harmonious surface over the table, which can be described as both raw and refined. The table comes with a light soap treatment that allows the texture of the wood to endure and will only become more beautiful through everyday use.
The warm and comfortable atmosphere created by the dining collection has made this furniture series equally popular in restaurants and private homes. Made in Denmark
"Additional treatments are available for the wood. Please reach out to our Support team for further information."
Børge Mogensen (1914-1972) was one of the most influential designers in shaping Danish Modern design and present day Fredericia’s founding designer from 1955 until his death in 1972. He found inspiration all over the world in his quest to create everyday objects that would endure for generations. Mogensen's most recognised pieces were developed during his collaboration and friendship with Fredericia CEO Andreas Graversen.
Børge Mogensen was one of the pioneers that created the foundation for the Danish Design as a culture of furniture design. His life-long ambition was to create durable and useful furniture that would enrich people’s everyday lives, and he designed functional furniture for all parts of the home and society.
Mogensen’s ideal was to create furniture with a restrained aesthetic. He believed that furniture should create a sense of tranquillity and have a modest appearance that encourages people to live their lives unpretentiously. He was acclaimed for his masterful sense of materials and proportions, and for his ability to create beautiful and distinctive furniture by emphasising simple horizontal and vertical lines and surfaces – all in an attempt to create aesthetic clear designs that were easy to produce.
While working strictly within his self-imposed dogmas, Mogensen’s artistic temperament often led him to break his formal rules without abandoning their original intent. Thus Mogensen’s furniture can be described as both modest and very self-confident - just as their creator. Throughout his life Mogensen was one of the boldest voices in the critical debate on furniture design. He often criticised his peers for surrendering their artistic authenticity in favour of short-sighted fashions, but he always welcomed innovations that he found offered real progression. Mogensen preferred to work in refined, yet rustic, natural materials such as solid oak, natural leather, wool fabrics, and brass mountings.
Mogensen was a trained cabinet-maker and furniture designer at the Copenhagen School of Arts and Crafts before entering the school of furniture design at Royal Danish Academy of Fine Arts, where he was taught by Kaare Klint and graduated in 1941. Throughout his career Mogensen continued to defend the ideals of evolutionary design progression that were essential to the Klint School, while also expanding on the tradition. Contrary to Klint, Mogensen was not only inspired by the traditional cabinet-maker’s types and crafts - instead he adapted models planned for industrial production, as well as the more informal housing that emerged in the 1960’s.
In 1948 Mogensen participated in MoMA’s international furniture competition ”low-cost furniture” together with his friend Hans J Wegner. Back home in Denmark, inspired by the exhibition, he experimented with plywood shells and fused the international modernist movement with his own design identity. Mogensen also found inspiration in ethnic arts & crafts, lithography and Japanese wooden carvings.
Mogensen’s early contribution to Danish design came right after his graduation, when he was hired as chief designer for the Danish Coop FDB. There he led a program to renew Danish furniture culture and create modern, functional and useful furniture that would be affordable for all social classes. In 1950, Mogensen opened a private design office, and shortly after, in 1952 he began collaborating with young interior architect and entrepreneur, Andreas Graversen, who would later become owner of Fredericia Furniture.
Andreas Graversen’s acquisition of Fredericia in 1955 marked the start of more than a purely professional partnership with Børge Mogensen. Over the years, the two developed a strong friendship, fuelled by a common desire to create simple, high-quality furniture with enduring aesthetic appeal. They were equally dedicated and passionate to their crafts, and their partnership was often temperamental.
Mogensen’s most recognisable pieces were developed to fit Fredericia’s workshop. One reason for Mogensen's immersive creativity at Fredericia was Graversen’s ability to follow him in his intentions and consistently fulfil his uncompromising demands for quality. To this day, Fredericia is the primary producer of Børge Mogensen’s furniture. Graversen and Mogensen’s high demands for quality, functionality and sense of material are still very much alive in our approach when developing new furniture today.
Mogensen received the The Eckersberg Medal 1950, as well as the highest architectural honours in Denmark, the C.F. Hansen medal, in 1972. In 1971 he and Andreas Graversen jointly received the Danish Furniture Prize for their contribution to the Danish furniture industry, and in 1972 Mogensen was appointed Honoury Royal Designer for Industry at the Royal Society of Arts in London. Examples of Mogensen’s designs can be seen in leading design museums around the world.
Børge Mogensen died in 1972, only 58 years old.