A game using sticks was the inspiration behind Micado.
The simple, three-legged construction is assembled without hardware and supports itself. A tabletop and three legs. No screws, no hinges, nothing extra. The award-winning Micado table is completely pure in its design and construction. The striking simplicity of the table is typical for the discrete and aesthetic philosophy of designer Cecile Manz. The table was Cecilie Manz and Fredericia’s contribution to an exhibition with the theme ”Nomad furniture”. The Micado table creates an unexpected twist on an archetypical three-legged construction reminiscent of the classic angler’s chair. Micado is a sculptural occasional table that can be used for a few essential things such as a cup of tea, a tablet or a book. The subtle design creates a delicate and fragile emotion that can well be used to nudge up against denser lounge furniture in a modern living room. The Micado table was launched in 2004 and received the Danish Design Prize in the same year. Made in Denmark.
With discreet and playful aesthetics, Cecilie’s work demonstrates that functional details are able to create the aesthetic essence of an object in a subtle way. Early recognition of her contribution to Danish design began with the "Micado", table designed for Fredericia in 2004. After graduation from The Royal Danish Academy of Fine Arts - The School of Design in 1997, additionally studying at the University of Art and Design in Helsinki, Cecilie Manz founded her own studio in Copenhagen in 1998. Here, Cecilie Manz designs furniture, glass, lamps and related products, mainly for the home. In addition to her work with industrial products, her experimental prototypes and more sculptural one-offs make up an important part of her work and approach: In addition to her work with industrial products, her experimental prototypes and more sculptural one-offs make up an important part of her work and approach: “I view all my works as fragments of one big, ongoing story where the projects are often linked or related in terms of their idea, materials and aesthetics, across time and function. My work has always revolved around simplicity, the process of working toward a pure, aesthetic and narrative object.” Cecilie is recipient of the Thorvald Bindesbøll Medal 2011, the Bruno Mathsson Prize 2009, Kunstpreis Berlin 2008, the Finn Juhl Architectural Prize 2007, The Furniture Prize 2007, the Three-Year Working Grant from the Danish Arts Foundation and several other grants.