Dimensions

Height 50 cm
Diameter 20 cm

Materials

Finish White
Material Plastic Foil

Specification

Energy label A+ (A++ - E)
Frame included Yes
Light bulb cap type E27
Light bulb included No
Luminous flux 800 lm
Year of design 2003

Resources

The model was designed in 2003 by Poul Christiansen.

Despite the straight pleats, they have formed a rounded shape which has been nicknamed "The Comet". The shade is available in two sizes as pendant and as floor lamps 381 A and B.


Poul Christiansen

Poul Christiansen trained at the Royal Danish Academy of Fine Arts’ School of Architecture.

He worked in architecture and design for Ib & Jørgen Rasmussen from 1977 to 1986 and founded “Komplot Design” together with Boris Berlin in 1987.

Between 1969 and 1987 Poul Christiansen brought innovative and exciting dimensions to Le Klint’s lampshades. Prior to his involvement the shades had been folded in pleats and in straight lines across the pleats. Poul Christiansen discovered that folding in mathematical curves gave the lampshades beautiful and unique sculptural shapes.

His most famous creation is the SinusLine series which he developed by combining sine curves in such a way that they formed a lampshade when folded.

Poul Christiansen continues to design new lamps for Le Klint and in 2006 he designed wall lamp model 215 – allegedly inspired by the Sydney Opera House. Later in 2008 this lamp was introduced in a moulded plastic version for outdoor use.

Over the years Poul Christiansen has designed a number of Le Klint lamps and in the mid 2000 he evolved the soft folded curves to the creation of the Elysion light sculptures. These lights are hand-folded from one sheet of lampshade foil and thus represent genuine craftsmanship like other lampshades made by Le Klint. The Elysion light sculpture is also available in an outdoor version.


"I have always been fascinated with light in its many forms. I am constantly amazed at the ability of pure natural light´s power, to enhance or deplete nature´s beauty. On occasion, I have questioned, how can it get us to simultaneously, think about colour texture and shade, while interacting with our senses and affecting our moods." Kim Weckstrøm Jensen, CEO