More than twenty years from the original project, and after several creative interpretations, a new variant of this armchair is presented, with colored plastic body and different basic solutions, from the rotating one in die-cast aluminum to the one with legs in solid ash wood .
Thanks to a general, almost imperceptible restyling, the curvature of the seat became lighter and more elusive, preserving the comfort and ergonomics of the initial design.
Born in Germany in 1964, Werner Aisslinger worked as a freelancer in many well-known design offices including those of Jasper Morrison, Ron Arad and de Lucchi prior to setting up his own in Berlin in 1993. Aisslinger was chosen many times for the Compasso d’ Oro and other important European awards. He has designed items which can currently be seen in the permanent collections of MoMA, Vitra Design Museum and New York Metropolitan. He believes that design must seek new materials and technologies. When working...
Cappellini faced the new millennium inextricably linked to the world of images, exploration and research.