Le “Formiche nere” (Black ants) by Emilio Isgrò reflect, together with his traditional “Cancellature” (Erasures), the vision of a world where nature and culture are perfectly balanced, as if to exorcize the risks of a technological intelligence that is too often satisfied with artifice and fears to face a reality that is unchangeable, despite its apparent mutability.

In 1998 Laurameroni design collection was just a project, a difficult undertaking, a risky and at the same time irresistible call, but where the main guidelines had already been clearly defined.