Getting the most of the best to the greatest number of people for the least': with these words, Charles and Ray Eames described one of their main goals as furniture designers.
None of their other designs come as close to achieving this ideal as the Plastic Chairs. For years, the designer couple explored the fundamental idea of a one-piece seat shell moulded to fit the contours of the human body.
Dyed-through polypropylene. All models (except RAR) are available with a seat cushion (screwed to the seat shell) or full upholstery. The fully upholstered version has moulded polyurethane foam padding covered in Hopsak fabric, attached to the shell with a welted edge. Covers are available in all Hopsak fabric colours. Different shell and upholstery colours and various bases provide a multitude of possible combinations.
Chrome-plated tubular steel base, DSS with ganging bracket. (DSS = Dining Height Side Chair Stacking Base)
Version without upholstery can be stacked up to 8 chairs on the floor or on a stacking trolley. Version with seat and full upholstery: up to 5 chairs can be stacked on the floor, up to 6 chairs on a stacking trolley.
The Eames Plastic Chair is available as a visitor chair, dining chair, rocking chair, swivel chair or in stacking versions and with ganging brackets for row seating. Beam-mounted shells are suited for use in waiting areas.
Charles & Ray Eames
From 1941 to 1943, Charles and Ray Eames designed and developed stretchers and leg splints made of moulded plywood, and in 1946 they exhibited their experimental moulded plywood furniture at the New York Museum of Modern Art. The Herman Miller Company in Zeeland, Michigan, subsequently began to produce the Eameses' furniture designs. Charles and Ray participated in the 1948 'Low-Cost Furniture' competition at MoMA, and they built the Eames House in 1949 as their own private residence. Around 1955 they began to focus more on their extensive work as photographers and filmmakers, and in 1964 Charles received an honorary doctoral degree from the Pratt Institute in New York.
The Eames Office designed the IBM Pavilion for the 1964-65 World's Fair in New York, and the year 1969 offered the opportunity to participate in the exhibition 'Qu'est-ce que le design?' at the Musée des Arts Décoratifs in Paris. In 1970-71, Charles was appointed as the Charles Eliot Norton Professor of Poetry at Harvard University. MoMA again presented an exhibition of the Eameses' work, entitled 'Furniture by Charles Eames', in 1973. Charles Eames died in St. Louis in 1978; Ray's death followed in 1988.
Charles and Ray Eames have had a profound and lasting influence on Vitra. The company's activity as a furniture manufacturer began in 1957 with the production of their designs. Yet it is not just the products of Charles and Ray Eames that have left their mark on Vitra. Even today, their design philosophy continues to profoundly shape the company's values, orientation and goals.