Dimensions

Width 90 cm
Depth 19 cm
Height 49 cm
Weight 4.4 kg

Materials

Finish Metal Rose
Material Perforated metal sheet

Specification

Maximum load of the shelf 20 kg
Suitable for outdoor use No

Mathieu Matégot's Dédal Shelf is a result of his passion for the groundbreaking and innovative pairing of metal tubing and perforated metal sheet.

The Dédal Shelf is designed in 1955 and holds the advantages that Rigitulle entails - the metal's hardness as well as the fabric's lightness. Though apparently simple, the Dédal Shelf is often composed on several levels. The graphical shape matches each other and when grouped together they form a new design, almost a geometric pattern - especially when the shelves are juxtaposed.


Mathieu Matégot

Mathieu Matégot (1910 - 2001) was a Hungarian designer and architect. After studying at Budapest's school of art and architecture, he settled in France in 1931. He was a volunteer in the French army, was captured and not released until 1944. After returning home, he started producing handmade furniture in Paris. Matégot's organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he applied resulted in unique aesthetics and furniture designs. He was the first person to combine metal tubing with perforated sheet metal; ritigulle, a technique he patented and also a pairing that particularly characterizes his work.

Like many of his peers Mategot travelled the world in search of inspiration, techniques and upon return transformed these impressions into his own unique designs and interpretations. Wether it was industrial processes or aesthetics, he always collected and interpreted - he even patented and set up his own production to apply these new technologies into his designs, He was a true innovator of his time!

In the 1950's - also the one decade - that he devoted to the design of furniture and interior accessories, he created a wide range of distinctive designs that today is considered iconic and contemporary. To ensure quality in the production of his own designs - Matégot set up two of his own workshops - Société Mategot, one in Paris that employed up to twenty workers and a second in Casablanca, Morocco. Both manufactured in limited numbers for up to 200 items and continued until 1959 when Mategot abruptly ended his production and began his work on tapestry, which he would continue for the rest of his career.


At GUBI, we're on a continual quest. A journey. Fuelled by our passion to discover overlooked icons from the past and future icons in the making, we've made a distinctive name for ourselves in the international design arena as a dynamic design force to be reckoned with.