Plastic Armchairs were first presented as part of a New York Museum of Modern Art competition, "Low Cost Furniture Design".

Base finish
01 chrome
Depth
59cm
Glides
04 basic dark for carpet
Height
83cm
Piping
01 basic dark
Seat height
43cm
Seat shell
Dyed-through polypropylene. All models
Seat shell colour
01 basic dark
Upholstery
With full upholstery
Upholstery colour
Hopsak 66 nero
Width
63cm
Year
1950

Their organically shaped plastic seat shells were later combined with various different bases and manufactured in their millions. In their latest version made of polypropylene, the armchairs now offer even greater sitting comfort. To complement the product line, Vitra is re-launching the fully-upholstered Plastic Armchair. The organically shaped upholstered shells are particularly comfortable and radiate a homely atmosphere. The Hopsak cover in 13 colours can be combined at will with the eight colours of the seat shell. Together with the base frames, this creates any number of individual possible combinations. The upholstery is fixed to the shell with black or white piping.

Options
The Eames Plastic Chair is available as a visitor, dining, swivel or rocking chair or in stacking versions with ganging brackets for row seating. Beam-mounted shells are suited for use in waiting areas.

Base
Four-legged tubular steel base, chrome-plated or powder-coated in basic dark. The powder-coated version is suitable for outdoor use. (DAX = Dining Height Armchair X-Base)


Charles & Ray Eames

From 1941 to 1943, Charles and Ray Eames designed and developed stretchers and leg splints made of moulded plywood, and in 1946 they exhibited their experimental moulded plywood furniture at the New York Museum of Modern Art. The Herman Miller Company in Zeeland, Michigan, subsequently began to produce the Eameses' furniture designs. Charles and Ray participated in the 1948 'Low-Cost Furniture' competition at MoMA, and they built the Eames House in 1949 as their own private residence. Around 1955 they began to focus more on their extensive work as photographers and filmmakers, and in 1964 Charles received an honorary doctoral degree from the Pratt Institute in New York.

The Eames Office designed the IBM Pavilion for the 1964-65 World's Fair in New York, and the year 1969 offered the opportunity to participate in the exhibition 'Qu'est-ce que le design?' at the Musée des Arts Décoratifs in Paris. In 1970-71, Charles was appointed as the Charles Eliot Norton Professor of Poetry at Harvard University. MoMA again presented an exhibition of the Eameses' work, entitled 'Furniture by Charles Eames', in 1973. Charles Eames died in St. Louis in 1978; Ray's death followed in 1988.

Charles and Ray Eames have had a profound and lasting influence on Vitra. The company's activity as a furniture manufacturer began in 1957 with the production of their designs. Yet it is not just the products of Charles and Ray Eames that have left their mark on Vitra. Even today, their design philosophy continues to profoundly shape the company's values, orientation and goals.


Swiss manufacturer Vitra’s collections of furniture and lighting bring together the colour, culture and sophistication of the world’s most prominent designers.