The acknowledged and innovative designer Mathieu Matégot, has created an iconic footprint for any interior design, and the designing of the Copacabana Coffee Table was certainly no exception.

Colour
Black
Diameter
36.7cm
Height
96cm
Material
Steel

The Copacabana Coffee Table has with its slender articulated legs been a great example of how satisfying Matégots designs and products was for the demands of the day - the demand for light furniture, easy to move and almost transparent, so that it does not clutter up rooms and spaces. The Copacabana Coffee Table is a circular lacquered metal table decorated with large perforations supported by three slender legs all in black.


Mathieu Matégot

Mathieu Matégot (1910 - 2001) was a Hungarian designer and architect. After studying at Budapest's school of art and architecture, he settled in France in 1931. He was a volunteer in the French army, was captured and not released until 1944. After returning home, he started producing handmade furniture in Paris. Matégot's organic forms and lightness of touch create a sense of joy and the ground breaking and innovative techniques that he applied resulted in unique aesthetics and furniture designs. He was the first person to combine metal tubing with perforated sheet metal; ritigulle, a technique he patented and also a pairing that particularly characterizes his work.

Like many of his peers Mategot travelled the world in search of inspiration, techniques and upon return transformed these impressions into his own unique designs and interpretations. Wether it was industrial processes or aesthetics, he always collected and interpreted - he even patented and set up his own production to apply these new technologies into his designs, He was a true innovator of his time!

In the 1950's - also the one decade - that he devoted to the design of furniture and interior accessories, he created a wide range of distinctive designs that today is considered iconic and contemporary. To ensure quality in the production of his own designs - Matégot set up two of his own workshops - Société Mategot, one in Paris that employed up to twenty workers and a second in Casablanca, Morocco. Both manufactured in limited numbers for up to 200 items and continued until 1959 when Mategot abruptly ended his production and began his work on tapestry, which he would continue for the rest of his career.


At Gubi, we're on a continual quest. A journey. Fuelled by our passion to discover overlooked icons from the past and future icons in the making, we've made a distinctive name for ourselves in the international design arena as a dynamic design force to be reckoned with.