Captain Flint is a perfect example of multi-purpose free-standing luminaire; the head of the fixture rotates through the vertical axis around the stem allowing for ambient up-lighting or a directional light source for reading.
Recalling Anastassiades' String Lights, the notion of balance is prominent in this fixture, with the cone shade delicately resting on the stem. Captain Flint will be available with a polished brass stem with Carrara white marble base or varnish anthracite stem with Marquinia black marble base.
Floor lamp providing adjustable direct light. Painted steel or brushed brass, stem
and metal spinning cone. Opal PC photo-engraved diffuser by injection molding.
White Carrara or Black Marquina marble base. Power cord length 260 cm, with
foot dimmer switch that provide ON-OFF functions and 10-100% light adjustment.
Plug-in power supply with interchangeable plugs.
Michael Anastassiades founded his London design studio in 1994.
Schooled in industrial design and engineering at London's Royal College of Art and Imperial College – the Cypriot-born designer's lighting, mirrors, and tabletop objects reside between industrial design, sculpture and decorative art. Deceptively simple, yet meticulously detailed, they betray his training as a civil engineer and industrial designer.
Anastassiades is particularly renowned for his lighting products, which comprise 80% of his studio's commissions. Shiny surfaces combined with simple geometric shapes like tubes, oblongs and spheres, articulate architectural spaces. He often chooses reflective materials – such as mirrored glass and polished bronze – that appear to dematerialise his objects, to float independently, interacting with the space surrounding them.
Since collaborating with the architectural firm Studio Mumbai (2006), Anastassiades is increasingly working with some of the world's leading architects – including David Chipperfield and John Pawson – and interior designers such as Studio Ilse. His lights can be seen in hotels, restaurants and stores worldwide – including the Grand Hotel Stockholm, Soho House New York and the Sergio Rossi boutiques worldwide.
Besides being commissioned and collected by private patrons and clients all over the world – Anastassiades has worked with many world renowned cutting-edge designers and prestigious manufacturers, including Hussein Chalayan (1997-8) Swarovski Crystal Palace (2004), Lobmeyer (2012) and Svenskt Tenn (2013). This year, he will be launching two 'families' of lights for Flos.
Featured in the permanent collections of the Museum of Modern Art, New York, the FRAC Centre in Orleans, France, and the V&A Museum and Crafts Council in London, his designs have also been showcased at world-renowned galleries and arts organisations including London's Institute of Contemporary Arts, the Design Museum, Somerset House and Sotheby's; and Mitterand + Cramer in Geneva. Represented by the Nilufar Gallery in Milan – this follows the gallery's commission to create the ‘Lit Lines’ series of lights (exhibited at Palazzo Durini in 2011) and the ‘Tree in the Moonlight’ lamp which formed part of their Unlimited Collection (2012) .