Birdy is a table, wall and floor lamp series designed in 1952, in a modernist style.

Assembly required
Some
Bulbs included
No
Cable type
White
Care instructions
Wipe with damp cloth
Country of origin
China
Dimmable
No
Energy class
A++ - E
Finish
White/Metallic
Ip rating
IP 20
Is suitable for outdoor use
No
Light bulb cap type
E27
Max wattage
60
Power connection
Type C Plug
Protection class
Class II
Shade material
Aluminium
Suitable for energy saving bulbs?
Yes
Voltage
220V - 240V ~ 50Hz
Year
1952

The lamp series was produced and sold by the Norwegian electricity company Sønnico (Oslo) for many years. In 1954 the table lamp, then known as “s-30016” was awarded the highly esteemed Golden Medal at the Milan triennale.

In 2013 Northern Lighting decided to re-launch this design classic, taking care to preserve the original shape and highly functional features that at first made it such a well-loved light. The lamp series is available in off-white or matt grey colour with satin nickel finish and matt black colour with brass metal finish.

To commemorate the centenary of Dahl’s birth in 1916, a new version of the Birdy table lamp is available in the colour Marsala, produced in a numbered series.


Birger Dahl

Award-winning designer Birger Dahl (1916 – 1998) was a pioneer of contemporary Scandinavian lighting. The mid-century years were a formative period of his work, when he forged his signature streamlined style and launched a new vision of lighting design. Dahl’s career had actually begun the previous decade, when he became head of design at Norwegian electronics firm Sønnico and created the award-winning Dokka pendant lamp.

Dokka was the first lamp in Norway to receive a Golden Medal award at the prestigious Triennale di Milano, which brought Norwegian lighting under the international spotlight. While acclaimed for his lighting designs, Dahl is also considered to be one of Norway’s leading Post-war interior architects. Strict geometric shapes, such as circles, cones and cylinders, were the building blocks of Dahl’s design vocabulary, which he softened with gentle contours.

He emphasised the purity of form, highlighting the shape of the object rather than hiding it behind decorative details or layers of ornamentation. Sensibilities like these explain why his work still appears modern today, and why lighting designs such as Dokka and Birdy are so compatible with the interiors of our time.


Imagine a creative force led by original ideas, in a place where traditional design seems like a thing of the past.