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360° is a collection composed of chair, stool, table and container on wheels, which opens the way to a new concept of office work.
The chair (and also the stool) 360° is, in fact, an unconventional chair, or it would be better not to call it chair at all, as it certainly has little to do with the common idea of chair. 360° is, in fact, neither a stool nor a chair, but something in-between. Its name implies that it swivels around and that one can sit on it in all directions. 360° is not intended for long stints of work in a static position, but it encourages a form of dynamic sitting, short term, ad hoc, improvised - moving around. Therefore, it can be considered as a forerunner of the office chair of the future.
Konstantin Grcic
Konstantin Grcic was born in 1965, and trained as a cabinet maker at The John Makepeace School (Dorset, England) before studying Design at the Royal College of Art in London. Since setting up his own practice, Konstantin Grcic Industrial Design (KGID), in Munich in 1991, he has developed furniture, products and lighting for some of the leading companies in the design field. His more renowned clients include Authentics, BD Ediciones, ClassiCon, Flos, Magis, Mattiazzi, Muji, Nespresso, Plank, Serafino Zani, Thomas-Rosenthal and Vitra. He has created a number of limited-edition pieces for Galerie Kreo in Paris since 2004. Konstantin Grcic defines function in human terms, combining strict forms with considerable mental acuity and humour. Each of his products expresses a careful research into the history of design and architecture, and his passion for technology and materials. Known for his pared-down pieces, Grcic is often called a minimalist, but the designer himself prefers to speak of simplicity. Many of his products have received international design awards, such as the prestigious Compasso d`Oro for his MAYDAY lamp (Flos) in 2001 and his MYTO chair (Plank) in 2011. Works by Konstantin Grcic are part of the permanent collections of the world´s most important design museums (including MoMA/New York and Centre Georges Pompidou/Paris).
Magis: pushing the boundaries of design